Produce one approved video that works across the viewing contexts your channels require.

Video Content Creation turns an approved concept or script into a filmed, edited, captioned video that works both muted in a feed and at full volume on a larger screen. Writing the script from scratch is an earlier, separate method. You walk away with an accurate, captioned video approved by whoever owns the claims in it, exported in every size your channels need, with the project files handed over.

Video editor reviewing timeline cuts with captions and brand graphics in place

Some of the 500+ brands we've worked with

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  • DenizBank
  • A101
  • Edenred
  • Mudo
  • Country Floors
  • Ajansspor
  • Tatilsepeti
  • Amazon
  • BMW
  • Shell
  • Hyundai
  • PepsiCo
  • Red Bull
  • Decathlon
  • MediaMarkt
  • Bayer
  • Sanofi
  • EY
  • KPMG
  • GE
  • 3M
  • Domino’s
  • Lexus
  • Trendyol

Each stage is approved before the next begins, preventing unresolved questions and missing release forms from surfacing after the shoot.

  1. Confirm the concept and shot list

    Before filming, we confirm what will be shot, in what order, and why, so the production plan is clear on set. Filming waits until the producer has approved the shot list and confirmed every required release.

    A locked shot list and production plan.

  2. Capture the footage

    Filming happens against the plan, with brand assets and any required releases confirmed before anyone rolls camera. A producer checks the footage against the plan on set, so gaps get caught before the crew wraps.

    Raw footage, organized and logged.

  3. Edit the story together

    Pacing, cuts, and music get built around the narration. An editor and the claim owner review the rough cut together before pacing decisions get locked.

    A rough cut for review.

  4. Build in captions and accessible audio

    Captions get written and timed properly, and anything spoken quickly gets a second look for whether it's understandable on a first watch. A reviewer checks the captions against the actual audio before the cut is called near-final.

    A near-final cut with captions in place.

  5. Finish and export every version you need

    The final approved master gets adapted into the crops and lengths your channels use, without losing the story in translation. The page or campaign owner approves the final master before any channel exports go out.

    The finished master plus channel-specific exports.

Editing help stops at representation and truth

During editing, AI tools can clean up audio, prepare a first caption-timing pass, and compare pacing options. The approved script and recorded performance remain the source of truth. We won't generate a real person's likeness or voice saying words they didn't say without written consent, or polish an unsupported claim into something more confident. A named reviewer checks the final footage against the script before approving the cut.

You receive the approved master, accessible captions and transcript, channel-specific versions, and organized source files for future reuse.

  • a finished article document

    The finished master video

    The final approved cut, edited, color-corrected, and mixed.

  • caption and alt-text notes beside a media frame

    Captions and an accessible transcript

    Timed captions plus a plain transcript, so the video works with sound off or for someone who needs the text.

  • one source document fanning into smaller formats

    Channel-specific exports

    Square, vertical, and long-form versions derived from one approved master so the story stays consistent.

  • a ledger of link entries

    Raw footage and project files

    The underlying material, organized, so future edits or reuse don't start from zero.

We call it done when: the video is factually accurate, captioned properly, approved by whoever owns the claims in it, and exported in every size your channels need.

This method starts with an approved concept or script. If the script still needs to be written, Video Script Writing should happen first.

A good fit when

  • An approved script or concept is ready, but it still needs a shot list, filming, editing, captions, and a final master.
  • One edit has to hold up in silent autoplay, at full screen, and inside a presentation, so each of those contexts needs its own export.
  • Footage, sound, captions, and graphics need to feel like the same brand, while the project files must remain usable for later edits.

Better handled as other work when

  • No concept or script has been approved, so Video Script Writing must settle the message, runtime, and visual direction before filming.
  • The brief asks for a quick stock-footage montage with a voiceover, while this method is built around an approved concept and planned footage.
  • You need a synthetic version of someone's likeness without their consent. We will not create one.
  • The edit is expected to lock before the claim owner checks the narration, which leaves polished footage carrying facts nobody approved.
  • StudioBinder

    turns the approved concept into a shot list and shooting schedule a crew actually follows

  • DaVinci Resolve

    cuts the story together and finishes the color and audio in one application

  • Frame.io

    collects frame-accurate feedback on the cut before anything gets finished

  • Rev

    produces the accurate captions the video needs to work without sound

Share the concept or script and the channels it needs to serve. We will flag any gaps before the shoot, then plan the finished master and its required versions.
Talk to a Content Marketing specialist
Two people shaking hands on the start of the work

Do you write the script too, or just produce the video?

Filming, editing, and finishing are included here. Video Script Writing needs to happen first when there is no approved script.

What if we need the video to work without sound?

That is standard rather than an add-on. Captions and on-screen text are planned from the start because many videos are watched muted.

Can you use AI-generated avatars or voices?

We do not represent a real person without their consent, regardless of the quality of the tool.

How many versions do we get for different platforms?

As many as your channels actually need, all cut from one approved master so the story doesn't drift between versions. The crops need real attention rather than an automated reframe. On one set of deliverables the vertical version had to be reframed by hand so the on-screen text stayed legible, which an automatic centre crop would have quietly ruined. Every version traces back to the same approved cut, so a correction reaches all of them.

What if a claim in the narration turns out to be wrong after filming?

We resolve it during review before the final cut is approved. The reviewer checks the final audio against the approved script.